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Synopsis:
The year is 2030 and six years have passed since the end of World War IV. Influxes of refugees are allowed into Japan to fill the labor gaps of the growing economy. Terrorist cells identifying themselves as the Individual Eleven have begun a series of ultranationalist attacks targeting refugee camps, foreign consulates and even the Prime Minister. A charismatic new leader rises amongst the refugee’s resistance movement, a former member of the Individual Eleven. Simultaneously a top member of the Cabinet Intelligence Agency contacts Section 9 with shocking revelations and unknown ambitions regarding the current state of affairs. When the refugee resistance procures a nuclear bomb can Major Motoko Kusanagi and Public Security Section 9 diffuse the situation and help avoid a catastrophic civil war? Can they uncover the mastermind orchestrating the situation? Who is the mysterious resistance leader and what link does he hold to the Major’s past?

Review:
In this release of Ghost in the Shell: Stand Alone Complex: 2nd GIG: Individual Eleven, the story revolves around a mysterious resistance leader Hideo Kuze and the villain Kazundo Gohda. The history behind Kuze is deep. He was a part of an elite infantry unit of the SDF in the Peninsula War. While his group was setting up for a preemptive strike on the People’s Army, they stumble upon a camp that was not in the intelligence report that they were briefed with. Seeing how these soldiers of the People’s Army turned into a band of bandits. Kuze’s group mobilized and fought the group of bandits, saving the villagers in the process. The news of this was never revealed and members of Kuze’s unit suffered from post traumatic stress disorder. While a cameraman was questioning a wasted soldier, Kuze traded his rifle for a camera and walked off by himself. The scene was very symbolic. In a sense, he told people that he did not want to fight and if others feel they can perform better, here is the rifle. Maybe I am thinking too much into it and Kuze only wanted the camera so he can go off to his solitary life watching refugees’ daily life routines. But the great thing about Ghost in the Shell is that certain aspects of the plot are up to the viewers to decipher. And this point is proved even more during the conversation between Major and Kuze’s trapped scene.

As for the story behind Gohda, who has to be one of the ugliest villains ever created in anime. He is the head of the Cabinet Intelligence Agency and the mastermind behind the whole Individual Eleven event. His entrance into the show was fitting and he did prove his point during his introduction to Chief Daisuke Aramaki, where he states that people remember his name once he corrects them and also by seeing his disfigured face. This is a certain fact, because the viewer will vividly recollect Gohda throughout the show. As I watched “Individual Eleven,” I often thought what part did Gohda played in this event or that event. You can see that he had a lot of knowledge of the whole situation, and that part of his character was displayed during the initial encounter with him and Major Kusanagi. During the helicopter incident where a pilot had heart failure and his helicopter went rogue, Gohda exuded a sense of confidence that the situation was not going to go out of hand and Section 9 was going to take care of it rather easily.

As the plot progressed, a romantic relationship seems to develop as well, with Motoko and Kuze, after Motoko’s brain dive into Kuze. They had a relationship earlier in their childhood. Where does Batou stand in all this? Motoko gives a small reference to Batou when Kuze questions whether Motoko has anyone who she can share her deepest thoughts with. Her reply, “I suppose.” Quite what you expect from the Major and after the scene you see Batou digging her out of rubble and at the same time screamed out what he did in “The Laughing Man,” “MOTOKO!” Those were some powerful scenes and puts the whole film into perspective.

“Individual Eleven” has a faster pace than the previous release, “The Laughing Man.” There are a lot more action scenes that describe the story, than there are dialogues that explain it. Director Kenji Kamiyama wanted a quicker pace for the film. This resulted in a pace that was gripping and held me as a viewer on the edge of my seat. By using this strategy, the show becomes a bit of a mystery and is up for the viewer’s interpretation of certain events. Depending on a viewer’s emotions certain scenes appear differently. If you were someone who liked the character of Gohda you would not like what happens to him in the end. If you were fed up with his crap, you would feel that he deserved what he got. It is things like that, that make Ghost in the Shell such a unique piece of anime. While there is a lot of information that is shown, the viewers have to take an active part in making sense of it all and stay tuned. This release was fun. Once again, it was an amazing experience to have seen this in high definition. With pictures so crisp and smooth and the audio so clear, I was fully immersed in what was in front of me on the screen.

The Breakdown:
I have to thank the folks at Anchor Bay Entertainment, Manga Entertainment and Bandai Entertainment for making the Blu-Ray release possible. This installment of Ghost in the Shell: Stand Alone Complex: 2nd GIG: Individual Eleven was tremendously entertaining and thought provoking. It is action packed and viewers are in for a very good time.

This entry was posted on Monday, May 30th, 2011 at 10:32 am and is filed under Reviews, Genre, Type, Company, Action, Bandai Entertainment, OAV, Manga Entertainment, Sci-Fi. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.