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Synopsis:
After a century of relative peace, the people within the walls are growing restless. A young man named Eren and his friends Armin and Mikasa venture to the wall’s edge with the hopes of seeing what’s on the other side. But before they can get there, the unthinkable happens; a Titan larger and more fierce than any that have been seen before breaches the wall, kicking a large hole through the base of it. Now, a once isolated world is flooded with seemingly indestructible Titans, and the only way to beat them is to fight back. But the military forces Eren joins to protect humanity appear to be protecting some secrets of their own. The future looks bleak, but there’s more to Eren than meets the eye: he may be humanity’s last hope against extinction.

Review:
Attack on Titan has been a global phenomenon since the manga was adapted to anime. Packs of cosplayers can be spotted at every convention event dressing up as their Titan character or just slapped on the uniform and join the ranks of the survey team. With every hugely popular and successful anime comes the infatuation of “what if this was live action?” I have seen quite a few live action adaptations of anime, and most of them had been a miss more than a hit. While I have read some comments from the internet that the movies were bad, I kept an opened mind and experienced it for myself. Here are my thoughts.

From the beginning, the movie introduces the three characters any fan would recognize, Erin, Mikasa and Armin. Maybe not Armin, because he is not a blonde anymore. But anyways, they go about their daily routine while everyone else goes about their’s. When Erin decided to try and go out because he does not want to be trapped in the walls anymore. The grounds suddenly began to shake. A giant titan appears and destroys part of the wall to make way for the rest of the titans to march in and feast on the humans.

If you have watched the anime or read the manga, this part of the movie does not change. The little details do however, just to make it flow better for the live action. At least, that’s what the director Shinji Higuchi hoped. I did not think the story played out as well. There were a lot of those moments where scenes felt sped up and skipped over to meet the constraints of a movie runtime. Erin’s character was annoying in the anime, but he is even more so as a live character. From beginning to up to Erin turning into a titan, the show felt it was on auto pilot mode. There were pieces of action here and miniscule points of interest there. When Erin finally turned, that was when I felt the movie finally showed off the ability of a “live” action. But the fun ends almost as fast as it began. The humans carved Erin out of his titan body and we must wait for part two. There is something significant about the end of part one though. We are introduced to the idea that the titans were once humans, whom became infused with the titan shell, as the power overwhelmed their humanity.

So what are my thoughts on this live action? Nothing much, to be honest. The plot was a mess, the titans looked dumber than the drawings, and the movie’s representation of the characters of the series was annoying. If the final scene of part one did not occur, I cannot imagine myself donating my time to watch this live action any longer. At this point, it is more about finishing what I started and not about finishing it because the movie was super entertaining….

I delayed publishing this review, due to time constraints. I wanted to watch part two, End of the World, and give this show a chance to redeem itself, before I put it in the garbage pile. After finally freeing up time to sit down and complete this live action movie. I must say, I regret ever finishing this movie. Ending Attack on Titan Live Action with part one was fine. It would have been a failed attempt at hopping on the bandwagon of the success of the anime and manga, but at least it was not an atrocity. After watching Attack on Titan part two, I was seriously disgusted. The story was horrendous and it turns out that this guy is a titan, that guy is a titan, everybody is a titan. Comon. What the heck happened? It was like the whole film crew just collectively had a brain fart. Was it the expectations that caused the negative views? I doubt it. The movie as a whole was a huge disappointment, with part two killing any redeeming qualities this movie had (which was minimal to begin with). People should be asking for refunds.

The Breakdown:
Remember, while watching a live action, keep an opened mind, you probably won’t like everything or anything for that matter. The anime or manga has likely set a certain standard in your mind, the movie is not going to be a view changer. Just try to enjoy it. If it fails to meet your expectations, it would not be the first or the last. The Attack on Titan live action has its moments, but I felt a lot of those moments were dull moments. The majority of it felt like a formality. A note to any studios planning to release multi-part films. Please make sure that both parts are at least worth the admissions. No one has time or money to spend on crappy multi-part films.

Synopsis:
Fuyuki City—a city surrounded by the sea and mountains becomes the setting for an ancient ritual. Seven masters are given control of heroic spirits in order to realize the mythical Holy Grail, which is said to grant its owner any wish. These heroic spirits or servants represent legendary heroes of various classes: “Saber,” “Lancer,” “Archer,” “Rider,” “Caster,” “Assassin,” and “Berserker.” Each master will enter into a contract with their chosen servant and battle the others to the death until only one pair remains…This is the “Holy Grail War.”
The young and capable mage, Rin Tohsaka, prepares for her long-awaited Fifth Holy Grail War to begin… With her servant Archer, Rin enters the Holy Grail War as the sole heir to the prestigious Tohsaka family after her father’s death. But when Shirou Emiya, a boy from Rin’s school, unwittingly becomes a Master and is fatally wounded in battle, she has no choice but to save him. With Shirou and his servant Saber, Rin sets out to strike down the conspiracies surrounding the Holy Grail War. Will the Holy Grail bless Rin and Shirou’s path toward victory or will they be cursed with defeat?

Review:
I have always been a Fate Stay Night fan. Fate is a title that evolves. From the first series, where the details were not thoroughly explained. To the Unlimited Blade Works movie which was on the Tai Bo regimen, rolling double time and skipping scene to scene. To Fate / Zero which was the prequel of the original series, but had a lot of dialogue that made certain parts of the show boring. With this version of Fate, we are exposed to what I felt was the best of both worlds. The action, although at times predictable due to having already watched the movie, still felt exhilarating. The dialogues were effective and efficient. It keeps the viewers attached.

Archer (not Gilgamesh) has always been an enigma. He has abilities that do not resemble the archer class. The fact that his weapons of choice and fighting style are twin blades and close combat, rather than a bow and arrow speaks volumes. Unlimited Blade Works is an arc in the original Fate visual novel. In the arc, Emiya Shirou and Archer butt heads constantly. It is as if Archer has some kind of grudge against Emiya. Throughout the show, we do find out why Archer behaves the way he does, and who he was/is as a heroic figure.

If you have seen Fate Stay Night before, this rendition does not stray much from the original story. There is new dialogue, new scenes, and the protagonist is Rin Tohsaka, but generally it flows like the original series. Which is why when comparing both Fate Stay Night and Unlimited Blade Works, I actually prefer Unlimited. I know this should not be the case, but it felt like ufotable learned from the past and applied the ingredients accordingly to make this a successful, more refined show.

In case you are new to Fate, the story revolves around masters (mages), summoned heroic spirits and the Holy Grail war that is said to grant the wish of the victors. Of course, things are never this simple. Gilgamesh, a summoned servant from the previous Holy Grail war latched onto the world and continued to plot his plans for world destruction. There is more to it, but I will let you find out on your own. Also, while watching Fate / Zero is not a required prerequisite; It does help to understand the entire Fate story as a whole.

The animation for Unlimited Blade Works does not disappoint. Noble Phantasm effects truly feel special to each heroic spirit. The battle scenes are gripping. I felt every clash between metal and every struggle to defeat one another. Even though the outcome is the same as the prior series and movie, the way this piece moves makes the entire show seem new.

The Breakdown:
Fan of the Fate series or not, this anime does a superb job of entertaining the viewers. The character interactions were on point. The animation was amazing and the story, although retold, still felt fresh. I thoroughly enjoyed this piece.

Synopsis:
An original anime series about Nagate, a low-born youth in a society of genetically engineered humans, refugees that escaped the destruction of Earth one thousand years earlier and now occupy the massive ship Sidonia. When Nagate’s talent as a pilot is revealed he becomes one of Sidonia’s elite defenders against the Gauna, shapeshifting aliens bent on eliminating humans from existence. Based on the popular Japanese manga comic.

Review:
A Netflix original anime series? That was unexpected. Shidonia no Kishi or Knights of Sidonia was originally a manga series that was later adapted into anime by Polygon Pictures; which then brings us to the exclusive streaming rights on Netflix. Now that we got that out of the way, let’s get on with the review.

Knights of Shidonia is set in space, a thousand years after they have left Earth due to the Gauna invasion. Our main protagonist Nagate Tanikaze was raised in the underworld of Sidonia, never leaving for the surface and always practicing on his grandfather’s robot simulator. During the initial scenes, we get to see exactly what we should be expecting from the show. Fast mecha action scenes and some borderline gruesome animation… personally I find the disintegration of the Gauna stomach turning. But that’s just me. Anyways, as a result of Tanikaze being raised by his grandfather in the underworld (no, not your typical underworld), he did not receive the genetic manipulation the population received, and therefore gets hungry like any normal human being. On his way to search for food, he slips, falls and is captured by the Sidonia governing body. It is during his whole “booking” process that we find out more about Tanikaze and the current situation of Sidonia.

It has been a while since I was entertained by a mecha anime. Some of the mecha that I have come across lately are either boring or lacked focus in the machinery. Knights of Sidonia, does not lose sight of what it is. This show is about mecha action along with a story that grips even the casual viewer. Unlike a lot of other anime where the protagonist is often the very emotionally imbalanced type, who constantly searches for the right and wrong. Nagate Tanikaze is confident in his ability and performs the way that is instilled by his grandfather. While Tanikaze is a straightforward character, the majority of his peers are flip floppers. On the first day that he attends pilot school, he is looked down upon due to his status. After he does something impressive, his peers changed at an instant, only to change back and forth. This flip flopping in how other characters perceive Tanikaze kind of gets annoying after a while.

One thing you should not do, while you watch Knights of Sidonia, is fall in love with any characters. They could die in battle at a drop of a hat. I guess that is what makes this show so much more “realistic.” You see, these Gaunas are no joke. If we were playing a game, these mobs are way overpowered. Even Sidonia’s elite Garde teams do not make it back alive. The anime shows how emotions can deter one’s ability to fight in combat. From this display, one wrong move or hesitation can mean the life and death of the entire team.

The Breakdown:
Knights of Sidonia consists of one season, twelve episodes, with a second season in the works. Judging by that, the anime did a great job in getting as much out of the twelve episodes as it did. I was impressed at how the whole time I was watching, I never once thought this piece was dragging on or it was cutting things short. Maybe they should have extended the action scenes more, if that is one complaint that I have. Now do not expect to learn much about the origin of the Gauna? Maybe in season two; they are still a mystery here. There are signs that they are a sentient species as the show rolled on. But aside from speculation, nothing concrete is revealed.

Synopsis

“…this thrilling, multi layered series will take the audience back to the formative years of the iconic characters, Ryu and Ken, as they live a traditional warrior’s life in secluded Japan. The boys are, unknowingly, the last practitioners of the ancient fighting style known as ‘Ansatsuken’ (Assassin’s Fist). The series follows them as they learn about the mysterious past of their Master, Goken, and the tragic and dark legacy of the Ansatsuken style. Can their destiny be changed…or will history repeat itself?” - from the official Press Release (http://www.streetfighteraf.com/)

Review

The web series is a prequel taking place prior to the video game Street Fighter 1. Heck it’s before even Street Fighter Alpha with scenes of childhood Ryu and Ken. I was pleasantly surprised by the amount of training, discipline, and katas (forms) put in to the show to highlight martial arts. The story matches tradition against the thirst for power as the characters search to unlock the secrets of the hado. Goken reminds me of Mr. Miyagi from Karate Kid. My favorite quote is Goken quoting Gen: “There are many paths to the top of the mountain, but the view is always the same.”

Overall

Released on May 23, 2014, I didn’t know about it until June 6 when I was doing a random search on Youtube for Street Fighter. I wish there was more advertising for Assassin’s Fist. Perhaps I’ve been away from the industry for too long. It just seems to be one of those gems that you hear by word of mouth or that will spread like wildfire on Facebook.

Synopsis:
In the year 2046, people use portable devices called Neuro-linkers to manage their daily lives in virtual reality networks. But advances in technology haven’t managed to do away with bullies, and 13-year old Haruyuki Arita finds himself a frequent target. Haruyuki escapes his miserable life in virtual games-until the day Kuroyukihime, the most popular girl in school, introduces him to a mysterious program called Brain Burst and virtual reality called the Accel World.

Review:
Haruyuki Arita is your typical bully target. He is short and chubby with a low self-esteem. Based in the year 2046, neuro-technology has advanced so much that everyone uses a device over their neck called the neuro-link. The neuro-link allows users to access information on demand and allows the user to experience a virtual environment; think Google glasses, but even more advanced. Haru hates himself for being weak, and his only escape is to log into the school’s virtual network and attain the highest scores in the game. With his high scores, he catches the attention of the school’s student council vice president, Kuroyukihime (Black Snow Princess). After some commotion, the vice president introduces a game called Brain Burst to Haru.

In Brain Burst, the world feels like it is in a stand still. But in actuality, it only appears that way for the users, because their senses are being accelerated in the real world. At the end of Kuro-hime and Haru’s meeting, she warns him to turn off his neuro-link from the global net when he is out of school, but of course things happen and he eventually forgets about it. At the end of the first episode, Haru is thrust into the accelerated world as Silver Crow and will have to fight in order to stay in the game!

The result is obvious, as a newbie, Haru is defeated with ease and left wondering what the heck did he just got himself into. What is the point of the Accel World and why was it created in the first place? As the story progresses we discover that Kuro-hime’s goal is to reach the maximum level ten, whereas, the other leaders are content on staying at level nine so that they can rule the accelerated world and continue to use brain bust in their daily lives. The penalty for losing while attempting to reach level ten is severe; the brain burst program will be wiped off clean. So we can understand why some people would happily prefer to stay idle on quest for level ten.

The Breakdown:
Accel World is a good anime, with nice characters, music and an attractive story. The interactions between the characters are great as well. The show has a bit of everything. The romance comedy of Kurohime, Haru and Chiyo. The action of the Accel World battles and the drama of how all this connects and plays out. It is definitely one of the best anime presents you can gift out this holiday season!

Synopsis:
Rikuo Nura is an average middle school student by day and yokai by night. He’s not just any yokai – he is the grandson of Nurarihyon, the Supreme Commander of the Nura Clan! Rikuo wants to live a normal life. However, his grandfather wants him to succeed as the rightful heir. When an inter-clan conflict threatens the stability within their organization, Rikuo must decide whether he will live his life as a human or accept his yokai heritage.

Review:
My first impression on Nura: Rise of the Yokai Clan was back in summer 2011, when I did my Watcher preview on the Nura: Rise of the Yokai Clan: Demon Capital. At that moment, my thought on it was the show was pretty good, and now that I am watching the first season, my initial impression was accurate; Nura: Rise of the Yokai Clan is definitely worthy of your time and money.

The plot begins with Rikuo Nura, a descendent of the Nura yokai clan. Growing up and being raised as a human, his desire to lead the family business was none. But as the story develops further, certain strife happens and he realizes that the only way to protect his friends and loved ones, he had no other choice but to accept the role as the third heir to the clan.

As with all of these stories that revolve around heirs, not everyone is onboard with the current Supreme Commander’s decision, and because of this, Gyuki, one of the top lieutenants of the Nura clan decide to take matters into his own hands to ensure that the clan does not lose its greatness to some youngin’ whose heart is not even focused on leading the yokai. Since the scenes with Gyuki are the first scenes you will see, I did not spoil much really.

Anyways, back at school, to make things more amusing, Rikuo was automatically made a member of his friends’ yokai discovery club. The mission of the club is to go around town and look for the supernatural. As a result of this club, the members often run into trouble, which leads Rikuo to have to transform to save their behinds. The club plays a large role into Rikuo’s final decision as to whether he will want to lead the Nura clan or not, due to his friends constantly getting wrapped up in his business, being held as hostages. In order to put an end to the yokai turmoil, he finally decided to accept his role as the third heir, so that he can lead the yokai to coexist with humans and fight off those who look to disturb the balance.

The story in Nura, moved smoothly, and is not complicated for viewers to understand. There are no complex issues that one must ponder about. I do enjoy that aspect of the anime. The character transition from Rikuo to Night Rikuo is quite odd though. Rikuo accepted his yokai side fairly graciously, even though he was keen on being a human and while he claims he has no recollection of the events that occur when Night Rikuo is activated, as the show progresses, he is aware of what he is doing while transformed.

The Breakdown:
As I watched Nura, I realized how it captures the viewer. The animation is fluid and great, the blu-ray 1080i high definition definitely helps in that department. The characters are likeable, heck as a person whom has trouble remembering character names; I was able to recall each of their names, an amazing feat for me in my book. Nura has an attractive plot; I was certainly entertained throughout the first disc set and I cannot wait to see what the rest of the series has to offer!

Synopsis:
Redline is about the biggest and most deadly racing tournament in the universe. Only held once every five years, everyone wants to stake their claim to fame, including JP, a reckless dare-devil driver oblivious to speed limits with his ultra-customized car – all the while, organized crime and militaristic governments want to leverage the race to their own ends. Amongst the other elite rival drivers in the tournament, JP falls for the alluring Sonoshee – but will she prove his undoing, or can a high speed romance survive a mass destruction race?

Review:
In a world where wheels on cars are a thing of the past and hover cars are the present, there are still those people who cannot let go of the past. And in Redline you will see why there is still an undying support for these vehicles. The movie begins with a race called the Yellowline. It is a pre-qualifier race for the main event known as the Redline. Our protagonist, JP is a racer who believes winning with pure skills and not by how many weapons he can use to destroy the chances of the opposition is the true definition of how a race should be. With that state of mind, it is the reason why he has no “weapons” in his car, other than his crazy nitrous boost. When JP was about to cross the victory line, an “accident” happens and he loses the race.

While it was disappointing to the viewers and the crowd in the show, it certainly was not disappointing for the mob boss who has arranged for this set up. You see, JP and his life-long friend Frisbee are known for fixing up races just to boost the bottom line for the mob. The return for fixing races is having the financial back up to build the car to race with in the first place. JP had no idea that Frisbee had implanted an explosive device in the racecar and did not suspect anything from his friend Frisebee.

Lady Luck comes to JP’s side, as he is recovering at the hospital from the injuries suffered at the Yellowline, with news that several participants had withdrew from the Redline race after learning that the event will take place at the dangerous Roboworld; a planet where the government’s race opposition is strong and lethal force was said to be enforced at the day of the race. When JP was selected as a replacement he jumped on the chance.

The plot of Redline is focused. While there is a love interest with JP and Sonoshee, it really never takes over the screen. The story moves from race, to getting ready for the race, to some character development and tie ups, to the final race. It moves from point A to point B smoothly and I must credit Takeshi Koike for his directing, his directorial debut at that!

It is even more astonishing to learn that Redline took seven years to complete and used a hundred thousand hand drawings to create. Madhouse did an extraordinary job in bringing the animation to life. The racing was captivating and the music was gripping. When I heard the speakers thump I felt I was in the race. The character designs and their vehicle designs were unique. And for some reason it felt a little like that old Playstation game, Twisted Metal or if you do not like Twisted Metal, we could go with a Nintendo game like Mario Kart. You know… where the goal is to interfere or destroy your opponents with all sorts of tools, as much as it is to win the race itself.

The Breakdown:
Look if you are here expecting a serious racing anime with full characters and plot developments you might want to check out something like Capeta or Initial D. If you just want to see a show that is about pure racing and mayhem, Redline is truly a delight. Its combination of fast paced racing with interesting characters and a simple yet engaging story makes this show an absolute must watch.

Synopsis:
The year is 2034, and the face of terrorism has changed. No longer restricted to the limits of the physical world, the war on terror has exploded onto the net. In an attempt to confront this new threat, an elite counter terrorism and anti-crime unit was formed: Public Security Section 9. Two years have since passed when the team’s commander: Major Motoko Kusanagi, resigned from her post. After a rash of mysterious suicides Section 9 is forced to confront the “Puppeteer,” a dangerous hacker with unsurpassed skills. As their investigation of this terrorist threat takes them deeper into the bowels of a potential government conspiracy, Section 9 once again crosses paths with the Major, but is her sudden reappearance more than a coincidence, or is she somehow connected to the “Puppeteer”?

Review:
In this third release of Ghost in the Shell: Stand Alone Complex: Solid State Society, we are not dealing with a film where it is a compilation of scenes from the television series. This is a new story and a continuation of where Stand Alone Complex left off. After the incident of “Individual Eleven,” Major resigned from Section 9 to do stand alone investigations on her own. Upon her net dives, she stumbles upon the case that Section 9 is just starting to get into; the suicides of people and a lead with the name “Puppeteer.” The whole situation began with one aspect, suicides, but balloons to bring in other concepts, such as, abducted children, and the aging population. Director Kenji Kamiyama brought the current social issue in Japan and mixed it within the Ghost in the Shell world.

While the population is in decline due to low birth rates and the aging population goes up with not enough able bodies to replace their place in the working populace. So what is the solution to this problem? According to the show, one way to solve this problem is to take a look at the death total of children. What if those children did not have to die? So as suggested, the government will devise a plan where they will take in these children who are on the brink of dying; kids that receive abuse etc. And put these kids in position where they will at least contribute to society, instead of just dying somewhere if they were left where they were. This sounds like something that will work, but is it ethical? Is it really that simple? Of course not, when it comes to Ghost in the Shell, someone always has to take it to another extreme. Otherwise, there would not be a show.

So what I thought about this show as I was watching it. Obviously, this time around the feature is in 1080p and not 1080i. I will not get into “p” or “i” but just know that “p” is better. And also, Nissan was brought into the mix. They meshed in flawlessly, because if I had not recognized the Nissan and Infiniti logos on the cars, I would have thought they were normal Ghost in the Shell world vehicles. I have to bring this into light as well. When you are watching an anime, you must pay full attention to everything on screen, or else you will miss the tiniest of hints that the film crew puts in. What do I mean? Well, for one, when Section 9’s Infiniti Kuraza pulls up, the license plate reads “3923.” If you pronounce it in Japanese it reads, “San Kyu Ni San,” which really means, “Thank you, Nissan.” Well that was the Nissan plug, but back to the story. When Motoko goes back to her pad after the scene where she retrieves the ampoules, as she gets out of the elevator, a man gets in. For a short moment you get to see that person’s face. And as you could expect, that person will make a strong appearance later on.

In Solid State Society, there was not an evil villain that the viewers can hate. Actually, the Puppeteer does not make many physical appearances. He hacks from a far and lets the people that he hacked do his dirty work. So throughout the show, there is a feeling of there is a threat out there, but where? In this feature, there was a lot of story development and action scenes were short and to the point. I have to say this again, but watching this one, I had to pay a hundred percent attention or else I would have been lost. And honestly, I might not have even comprehended the whole show on the first go around. Now that I have seen all three of these releases, I will say that Solid State Society was not as entertaining as the others. While I enjoyed my time with it, there was not anything where I got overly excited about. Do not get me wrong. This film was good, but I think the standard has been set so high by the previous Ghost in the Shell shows that Solid State Society just could not climb over.

The Breakdown:
Ghost in the Shell: Stand Alone Complex: Solid State Society features a social issue that has been around in Japan for a while now. It attempts to take that angle and put a twist to it to make it work within the Ghost in the Shell world. While the overall product was good, there was just too much dialogue and not enough action as you would expect from a Ghost in the Shell series. At least in the end, there seems to be some “closure” between Batou and Motoko’s relationship. That was a plus!

Synopsis:
The year is 2030 and six years have passed since the end of World War IV. Influxes of refugees are allowed into Japan to fill the labor gaps of the growing economy. Terrorist cells identifying themselves as the Individual Eleven have begun a series of ultranationalist attacks targeting refugee camps, foreign consulates and even the Prime Minister. A charismatic new leader rises amongst the refugee’s resistance movement, a former member of the Individual Eleven. Simultaneously a top member of the Cabinet Intelligence Agency contacts Section 9 with shocking revelations and unknown ambitions regarding the current state of affairs. When the refugee resistance procures a nuclear bomb can Major Motoko Kusanagi and Public Security Section 9 diffuse the situation and help avoid a catastrophic civil war? Can they uncover the mastermind orchestrating the situation? Who is the mysterious resistance leader and what link does he hold to the Major’s past?

Review:
In this release of Ghost in the Shell: Stand Alone Complex: 2nd GIG: Individual Eleven, the story revolves around a mysterious resistance leader Hideo Kuze and the villain Kazundo Gohda. The history behind Kuze is deep. He was a part of an elite infantry unit of the SDF in the Peninsula War. While his group was setting up for a preemptive strike on the People’s Army, they stumble upon a camp that was not in the intelligence report that they were briefed with. Seeing how these soldiers of the People’s Army turned into a band of bandits. Kuze’s group mobilized and fought the group of bandits, saving the villagers in the process. The news of this was never revealed and members of Kuze’s unit suffered from post traumatic stress disorder. While a cameraman was questioning a wasted soldier, Kuze traded his rifle for a camera and walked off by himself. The scene was very symbolic. In a sense, he told people that he did not want to fight and if others feel they can perform better, here is the rifle. Maybe I am thinking too much into it and Kuze only wanted the camera so he can go off to his solitary life watching refugees’ daily life routines. But the great thing about Ghost in the Shell is that certain aspects of the plot are up to the viewers to decipher. And this point is proved even more during the conversation between Major and Kuze’s trapped scene.

As for the story behind Gohda, who has to be one of the ugliest villains ever created in anime. He is the head of the Cabinet Intelligence Agency and the mastermind behind the whole Individual Eleven event. His entrance into the show was fitting and he did prove his point during his introduction to Chief Daisuke Aramaki, where he states that people remember his name once he corrects them and also by seeing his disfigured face. This is a certain fact, because the viewer will vividly recollect Gohda throughout the show. As I watched “Individual Eleven,” I often thought what part did Gohda played in this event or that event. You can see that he had a lot of knowledge of the whole situation, and that part of his character was displayed during the initial encounter with him and Major Kusanagi. During the helicopter incident where a pilot had heart failure and his helicopter went rogue, Gohda exuded a sense of confidence that the situation was not going to go out of hand and Section 9 was going to take care of it rather easily.

As the plot progressed, a romantic relationship seems to develop as well, with Motoko and Kuze, after Motoko’s brain dive into Kuze. They had a relationship earlier in their childhood. Where does Batou stand in all this? Motoko gives a small reference to Batou when Kuze questions whether Motoko has anyone who she can share her deepest thoughts with. Her reply, “I suppose.” Quite what you expect from the Major and after the scene you see Batou digging her out of rubble and at the same time screamed out what he did in “The Laughing Man,” “MOTOKO!” Those were some powerful scenes and puts the whole film into perspective.

“Individual Eleven” has a faster pace than the previous release, “The Laughing Man.” There are a lot more action scenes that describe the story, than there are dialogues that explain it. Director Kenji Kamiyama wanted a quicker pace for the film. This resulted in a pace that was gripping and held me as a viewer on the edge of my seat. By using this strategy, the show becomes a bit of a mystery and is up for the viewer’s interpretation of certain events. Depending on a viewer’s emotions certain scenes appear differently. If you were someone who liked the character of Gohda you would not like what happens to him in the end. If you were fed up with his crap, you would feel that he deserved what he got. It is things like that, that make Ghost in the Shell such a unique piece of anime. While there is a lot of information that is shown, the viewers have to take an active part in making sense of it all and stay tuned. This release was fun. Once again, it was an amazing experience to have seen this in high definition. With pictures so crisp and smooth and the audio so clear, I was fully immersed in what was in front of me on the screen.

The Breakdown:
I have to thank the folks at Anchor Bay Entertainment, Manga Entertainment and Bandai Entertainment for making the Blu-Ray release possible. This installment of Ghost in the Shell: Stand Alone Complex: 2nd GIG: Individual Eleven was tremendously entertaining and thought provoking. It is action packed and viewers are in for a very good time.

Synopsis:
The year is 2030 and six years have passed since a criminal known only as “The Laughing Man” swept through top medical nanotechnology firms committing acts of cyber terrorism, kidnapping, extortion, and corporate espionage leaving no known suspects. New information is revealed to Japan’s top homeland security force, drawing Major Kusanagi and Section 9 into the hunt for a suspect capable of hacking the eyes of every operative, obscuring all details of his appearance and leaving behind a trail of copycats and hacked cyborg citizens. Who is The Laughing Man? What are his motives? And how do you catch a criminal that you cannot see? Join the beautiful cyborg Motoko Kusanagi in a world of high technology and deadly conspiracies as she searches for the answers to these questions and more!

Review:
Let me be honest with you, and this might even sound ridiculous. I have not completed watching the television series of Ghost in the Shell: Stand Alone Complex… so the story of “The Laughing Man” is completely foreign to me. I can understand from a stand point that for those who have seen the series that this special release is nothing more than an OVA that summarizes the happenings of the series with the potential of some re-edited scenes to make the short animation work. In a sense, not having previous experience may play to my advantage, as I have nothing to compare this story to, therefore my views are strictly directed toward what I have in my hands and what I just saw in 1080i HD (I will discuss the Blu-Ray edition later).

Moving right along, the run time of this piece is 160 minutes. But it felt so much longer. I commend director Kamiyama for that effect, after watching the extras on the Stand Alone Complex Archive I found out that he was visioning this special release through different eyes; the eyes of people who have seen the television series and those who have not. Utilizing those points of view, he was able to direct the story in a way where I felt I did not miss a thing from not having seen “The Laughing Man” from the series. From the beginning to the end, the plot flowed fluidly. The dots were connected flawlessly and the viewer is put in the position to enjoy the excitement that is about to unfold on the screen.

The story revolves around an incident that happened six years ago in the world of Ghost in the Shell. “The Laughing Man,” a criminal that has become a cult icon in a way, is back at it again. For those who have seen him, only recognize the happy face icon with a cap pointing to the side. That is because he is able to hack into the sights of people. But what is the true story behind “The Laughing Man?” With a slew number of copycats, the real motive of his actions diluted and skewed, the original “Laughing Man” is out to prove that he is not really about what the news out there portray him to be. The uniqueness from this release was that what you learn from the start is not what turns out to be later on. The viewer is put through a series of scenarios and has to think about them. And just when you thought you got the gist of the show, a twist is thrown at you in various ways to knock you off, forcing you to readjust. This constant mind play is fun and entertaining. And while the action was superb, I believe the way the plot was told was where the bread and butter were. It was truly an amazing experience.

This special release is one out of three. And if this is an indication of what to expect from the others, I must say, I am very thrilled. Maybe I am late in watching these releases, as they have been out on DVD for a while now. But while I feel sorry for myself that I have not exposed myself to these great stories, I am in no means feeling any sorrow for letting myself feast on the Blu-Ray editions of these releases. Watching anime on Blu-Ray is something else. While DVD is still very competitive in video quality, the high definition of 1080 resolution blows anything else away. Especially for a series like Ghost in the Shell, where the viewers are expecting explosions, guns, mechas, Tachikomas, computer hacking effects and futuristic themes. Everything was crisp and clean. I have no complaints in the animation department.

The Breakdown:
It has been a while since the stories of Ghost in the Shell: Stand Alone Complex were told. For those who have missed it, now is your time to discover the excitement that surround this work of art. Produced by Production I.G ,directed by Kenji Kamiyama and with music by Yoko Kanno, comes the tale of “The Laughing Man” available now on Blu-Ray.