Synopsis
Spike and Jet are two down-on-their luck bounty hunters (called cowboys) always looking for the next big score. Spike is brash, young, and tough. He practices Bruce Lee’s martial arts style, Jeet Kune Do, and treasures his little space fighter, the Swordfish II. Jet is the wiser, older of the two, knowing when to make a move and when to hold the cards. They move from plant to planet in their spaceship, the Bebop, and go from one bounty to the next, never staying in one place too long. Rarely ever making money or getting food, Cowboy Bebop is a set of tales in the life of these two as they go about space, encountering the pasts they left behind along the way. Of course, during the course of their adventures, they obtain three new crewmates: a sultry woman that goes by the name Faye Valentine, a dog with a high IQ that goes by Ein, and a computer hacking wizard named Ed. Along with Spike and Jet, they travel the stars.
Review
I was browsing our reviews section for any big omission from our reviews archive, and as of this writing, no one had completely reviewed Cowboy Bebop. The first three volumes had been reviewed by three different people, but that was not a good enough indication of just how great this show is. Taking it upon myself to rectify such a huge problem, I am now here to review my favorite anime series, right next to Neon Genesis Evangelion and Trigun.
I won’t be one of those guys who likes to say that the first anime they got into is also their favorite one. ‘I got into anime through Bebop…and it still rocks!’ I’d seen plenty of anime before Bebop came around, and I wasn’t there to see it when it first came out in America either. I just happened to be flipping through the channels when I came upon Adult Swim and noticed they were airing the five ’story’ episodes of Cowboy Bebop. I tuned in right from the beginning to see what it was about, and didn’t stop till I saw the whole thing. What I saw was unlike any anime (or anything, for that matter) that I’d seen before. I hold very fond memories of that night and seeing this show.
The first thing to jump out to most people about Bebop is the absolutely-frickin’-tastic music. Yoko Kanno (also responsible for such great music in Escaflowne, Macross Plus, and Ghost in the Shell) created a mix of blues and jazz that resonates with the material like nothing else could have. The show fits the music more than the other way around for me. Another thing that pops right out about the show is its still wonderful animation, despite coming from 1998. Most shows from that time did not look this good, and a bunch still don’t. It’s a testament to Bebop’s wonderful production values.
Bebop is made up of a bunch of vignettes strung together by the main five characters. These guys go from one episode to the next, with rarely any connection from one to the other. Each episode delves into different themes and ideas, from the nature of man and God to blaxploitation. I love the episodic nature of this series, and despite that, you get a wonderful understanding of each character through their experiences, even though you don’t get much character background. There are episodes devoted to each character’s pasts, but they come few and far between. But I’ll bet you anything you’ll be hard pressed to not feel even a slight hint of sadness during the final episodes’s closing moments. Bebop is amazing.
The Breakdown
After all is said and done, is Cowboy Bebop really one of the best animes ever? Simply put: YES. I haven’t seen anything better, and only a couple of shows are equal in quality and enjoyability as to that of Bebop. I know there are Bebop-haters out there. To them, I say: you’re missing out. Bebop is overhyped, I agree. But take the hype away and you get one of the best animes of the last two decades.