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Synopsis:
The year is 2034, and the face of terrorism has changed. No longer restricted to the limits of the physical world, the war on terror has exploded onto the net. In an attempt to confront this new threat, an elite counter terrorism and anti-crime unit was formed: Public Security Section 9. Two years have since passed when the team’s commander: Major Motoko Kusanagi, resigned from her post. After a rash of mysterious suicides Section 9 is forced to confront the “Puppeteer,” a dangerous hacker with unsurpassed skills. As their investigation of this terrorist threat takes them deeper into the bowels of a potential government conspiracy, Section 9 once again crosses paths with the Major, but is her sudden reappearance more than a coincidence, or is she somehow connected to the “Puppeteer”?

Review:
In this third release of Ghost in the Shell: Stand Alone Complex: Solid State Society, we are not dealing with a film where it is a compilation of scenes from the television series. This is a new story and a continuation of where Stand Alone Complex left off. After the incident of “Individual Eleven,” Major resigned from Section 9 to do stand alone investigations on her own. Upon her net dives, she stumbles upon the case that Section 9 is just starting to get into; the suicides of people and a lead with the name “Puppeteer.” The whole situation began with one aspect, suicides, but balloons to bring in other concepts, such as, abducted children, and the aging population. Director Kenji Kamiyama brought the current social issue in Japan and mixed it within the Ghost in the Shell world.

While the population is in decline due to low birth rates and the aging population goes up with not enough able bodies to replace their place in the working populace. So what is the solution to this problem? According to the show, one way to solve this problem is to take a look at the death total of children. What if those children did not have to die? So as suggested, the government will devise a plan where they will take in these children who are on the brink of dying; kids that receive abuse etc. And put these kids in position where they will at least contribute to society, instead of just dying somewhere if they were left where they were. This sounds like something that will work, but is it ethical? Is it really that simple? Of course not, when it comes to Ghost in the Shell, someone always has to take it to another extreme. Otherwise, there would not be a show.

So what I thought about this show as I was watching it. Obviously, this time around the feature is in 1080p and not 1080i. I will not get into “p” or “i” but just know that “p” is better. And also, Nissan was brought into the mix. They meshed in flawlessly, because if I had not recognized the Nissan and Infiniti logos on the cars, I would have thought they were normal Ghost in the Shell world vehicles. I have to bring this into light as well. When you are watching an anime, you must pay full attention to everything on screen, or else you will miss the tiniest of hints that the film crew puts in. What do I mean? Well, for one, when Section 9’s Infiniti Kuraza pulls up, the license plate reads “3923.” If you pronounce it in Japanese it reads, “San Kyu Ni San,” which really means, “Thank you, Nissan.” Well that was the Nissan plug, but back to the story. When Motoko goes back to her pad after the scene where she retrieves the ampoules, as she gets out of the elevator, a man gets in. For a short moment you get to see that person’s face. And as you could expect, that person will make a strong appearance later on.

In Solid State Society, there was not an evil villain that the viewers can hate. Actually, the Puppeteer does not make many physical appearances. He hacks from a far and lets the people that he hacked do his dirty work. So throughout the show, there is a feeling of there is a threat out there, but where? In this feature, there was a lot of story development and action scenes were short and to the point. I have to say this again, but watching this one, I had to pay a hundred percent attention or else I would have been lost. And honestly, I might not have even comprehended the whole show on the first go around. Now that I have seen all three of these releases, I will say that Solid State Society was not as entertaining as the others. While I enjoyed my time with it, there was not anything where I got overly excited about. Do not get me wrong. This film was good, but I think the standard has been set so high by the previous Ghost in the Shell shows that Solid State Society just could not climb over.

The Breakdown:
Ghost in the Shell: Stand Alone Complex: Solid State Society features a social issue that has been around in Japan for a while now. It attempts to take that angle and put a twist to it to make it work within the Ghost in the Shell world. While the overall product was good, there was just too much dialogue and not enough action as you would expect from a Ghost in the Shell series. At least in the end, there seems to be some “closure” between Batou and Motoko’s relationship. That was a plus!

Synopsis:
The year is 2030 and six years have passed since the end of World War IV. Influxes of refugees are allowed into Japan to fill the labor gaps of the growing economy. Terrorist cells identifying themselves as the Individual Eleven have begun a series of ultranationalist attacks targeting refugee camps, foreign consulates and even the Prime Minister. A charismatic new leader rises amongst the refugee’s resistance movement, a former member of the Individual Eleven. Simultaneously a top member of the Cabinet Intelligence Agency contacts Section 9 with shocking revelations and unknown ambitions regarding the current state of affairs. When the refugee resistance procures a nuclear bomb can Major Motoko Kusanagi and Public Security Section 9 diffuse the situation and help avoid a catastrophic civil war? Can they uncover the mastermind orchestrating the situation? Who is the mysterious resistance leader and what link does he hold to the Major’s past?

Review:
In this release of Ghost in the Shell: Stand Alone Complex: 2nd GIG: Individual Eleven, the story revolves around a mysterious resistance leader Hideo Kuze and the villain Kazundo Gohda. The history behind Kuze is deep. He was a part of an elite infantry unit of the SDF in the Peninsula War. While his group was setting up for a preemptive strike on the People’s Army, they stumble upon a camp that was not in the intelligence report that they were briefed with. Seeing how these soldiers of the People’s Army turned into a band of bandits. Kuze’s group mobilized and fought the group of bandits, saving the villagers in the process. The news of this was never revealed and members of Kuze’s unit suffered from post traumatic stress disorder. While a cameraman was questioning a wasted soldier, Kuze traded his rifle for a camera and walked off by himself. The scene was very symbolic. In a sense, he told people that he did not want to fight and if others feel they can perform better, here is the rifle. Maybe I am thinking too much into it and Kuze only wanted the camera so he can go off to his solitary life watching refugees’ daily life routines. But the great thing about Ghost in the Shell is that certain aspects of the plot are up to the viewers to decipher. And this point is proved even more during the conversation between Major and Kuze’s trapped scene.

As for the story behind Gohda, who has to be one of the ugliest villains ever created in anime. He is the head of the Cabinet Intelligence Agency and the mastermind behind the whole Individual Eleven event. His entrance into the show was fitting and he did prove his point during his introduction to Chief Daisuke Aramaki, where he states that people remember his name once he corrects them and also by seeing his disfigured face. This is a certain fact, because the viewer will vividly recollect Gohda throughout the show. As I watched “Individual Eleven,” I often thought what part did Gohda played in this event or that event. You can see that he had a lot of knowledge of the whole situation, and that part of his character was displayed during the initial encounter with him and Major Kusanagi. During the helicopter incident where a pilot had heart failure and his helicopter went rogue, Gohda exuded a sense of confidence that the situation was not going to go out of hand and Section 9 was going to take care of it rather easily.

As the plot progressed, a romantic relationship seems to develop as well, with Motoko and Kuze, after Motoko’s brain dive into Kuze. They had a relationship earlier in their childhood. Where does Batou stand in all this? Motoko gives a small reference to Batou when Kuze questions whether Motoko has anyone who she can share her deepest thoughts with. Her reply, “I suppose.” Quite what you expect from the Major and after the scene you see Batou digging her out of rubble and at the same time screamed out what he did in “The Laughing Man,” “MOTOKO!” Those were some powerful scenes and puts the whole film into perspective.

“Individual Eleven” has a faster pace than the previous release, “The Laughing Man.” There are a lot more action scenes that describe the story, than there are dialogues that explain it. Director Kenji Kamiyama wanted a quicker pace for the film. This resulted in a pace that was gripping and held me as a viewer on the edge of my seat. By using this strategy, the show becomes a bit of a mystery and is up for the viewer’s interpretation of certain events. Depending on a viewer’s emotions certain scenes appear differently. If you were someone who liked the character of Gohda you would not like what happens to him in the end. If you were fed up with his crap, you would feel that he deserved what he got. It is things like that, that make Ghost in the Shell such a unique piece of anime. While there is a lot of information that is shown, the viewers have to take an active part in making sense of it all and stay tuned. This release was fun. Once again, it was an amazing experience to have seen this in high definition. With pictures so crisp and smooth and the audio so clear, I was fully immersed in what was in front of me on the screen.

The Breakdown:
I have to thank the folks at Anchor Bay Entertainment, Manga Entertainment and Bandai Entertainment for making the Blu-Ray release possible. This installment of Ghost in the Shell: Stand Alone Complex: 2nd GIG: Individual Eleven was tremendously entertaining and thought provoking. It is action packed and viewers are in for a very good time.

Synopsis:
The year is 2030 and six years have passed since a criminal known only as “The Laughing Man” swept through top medical nanotechnology firms committing acts of cyber terrorism, kidnapping, extortion, and corporate espionage leaving no known suspects. New information is revealed to Japan’s top homeland security force, drawing Major Kusanagi and Section 9 into the hunt for a suspect capable of hacking the eyes of every operative, obscuring all details of his appearance and leaving behind a trail of copycats and hacked cyborg citizens. Who is The Laughing Man? What are his motives? And how do you catch a criminal that you cannot see? Join the beautiful cyborg Motoko Kusanagi in a world of high technology and deadly conspiracies as she searches for the answers to these questions and more!

Review:
Let me be honest with you, and this might even sound ridiculous. I have not completed watching the television series of Ghost in the Shell: Stand Alone Complex… so the story of “The Laughing Man” is completely foreign to me. I can understand from a stand point that for those who have seen the series that this special release is nothing more than an OVA that summarizes the happenings of the series with the potential of some re-edited scenes to make the short animation work. In a sense, not having previous experience may play to my advantage, as I have nothing to compare this story to, therefore my views are strictly directed toward what I have in my hands and what I just saw in 1080i HD (I will discuss the Blu-Ray edition later).

Moving right along, the run time of this piece is 160 minutes. But it felt so much longer. I commend director Kamiyama for that effect, after watching the extras on the Stand Alone Complex Archive I found out that he was visioning this special release through different eyes; the eyes of people who have seen the television series and those who have not. Utilizing those points of view, he was able to direct the story in a way where I felt I did not miss a thing from not having seen “The Laughing Man” from the series. From the beginning to the end, the plot flowed fluidly. The dots were connected flawlessly and the viewer is put in the position to enjoy the excitement that is about to unfold on the screen.

The story revolves around an incident that happened six years ago in the world of Ghost in the Shell. “The Laughing Man,” a criminal that has become a cult icon in a way, is back at it again. For those who have seen him, only recognize the happy face icon with a cap pointing to the side. That is because he is able to hack into the sights of people. But what is the true story behind “The Laughing Man?” With a slew number of copycats, the real motive of his actions diluted and skewed, the original “Laughing Man” is out to prove that he is not really about what the news out there portray him to be. The uniqueness from this release was that what you learn from the start is not what turns out to be later on. The viewer is put through a series of scenarios and has to think about them. And just when you thought you got the gist of the show, a twist is thrown at you in various ways to knock you off, forcing you to readjust. This constant mind play is fun and entertaining. And while the action was superb, I believe the way the plot was told was where the bread and butter were. It was truly an amazing experience.

This special release is one out of three. And if this is an indication of what to expect from the others, I must say, I am very thrilled. Maybe I am late in watching these releases, as they have been out on DVD for a while now. But while I feel sorry for myself that I have not exposed myself to these great stories, I am in no means feeling any sorrow for letting myself feast on the Blu-Ray editions of these releases. Watching anime on Blu-Ray is something else. While DVD is still very competitive in video quality, the high definition of 1080 resolution blows anything else away. Especially for a series like Ghost in the Shell, where the viewers are expecting explosions, guns, mechas, Tachikomas, computer hacking effects and futuristic themes. Everything was crisp and clean. I have no complaints in the animation department.

The Breakdown:
It has been a while since the stories of Ghost in the Shell: Stand Alone Complex were told. For those who have missed it, now is your time to discover the excitement that surround this work of art. Produced by Production I.G ,directed by Kenji Kamiyama and with music by Yoko Kanno, comes the tale of “The Laughing Man” available now on Blu-Ray.

Synopsis

A deadly virus has attacked humanity with vicious intent! At the forefront of the battle is the enigmatic Akamatsu Industries. Disguised as a heavy machine factory in Tokyo, this clandestine organization uses neural enhanced weapons known as Awakeners to battle the virus. But will the combined efforts of this secret organization and the mysterious warrior Betterman be enough to save Tokyo?

Review

Humans have searched for the possibility of mortality throughout their past history. Alexander the Great once searched for the fountain of youth in India. Ponce de Leon went on the same mission and ended up discovering the Bahamas and Florida. But despite what science has told us, people in today’s society are persistent in dealing with this issue in maintaining their ‘immortality’ through plastic surgery and ‘miracle’ pills in hopes of looking younger and more revitalized. This is one of the themes we see address in the Anime Betterman.

The name Better Man is pretty self explanatory: he is better than the average man. With the ability to transform into many things by eating different fruit looking objects, Better Man is always there when help is needed. But despite how fancy Betterman looks or how bright and shiny his attacks are, it does nothing to savage the confusing and hopeless trajectory of its plot.

It starts out with Keita who meets his childhood friend Hinoki, as he joins Akamatsu Industries because he possesses the inherited ability to pilot a robot. Asami, an agent of Mode Warp who receives the help of Akamatsu Industries, tags along and takes account for every incident that happens hoping to solve the mysterious illness caused by Algernon. As simple as it sounds, the plot spirals into confusion as the coherency slowly breaks down with each succeeding episode. For example, rather than showing episodes where the audience is allowed to decipher what is going on, information is just being tossed at at the beginning introduction. In fact, most of the time we see Keita and Hikoni running for their life as something is always chasing them that ends with Better Man coming to the rescue. It’s as if the plot is on standby in order to show how bad ass Better Man’s transformations are. Irrelevant information is given every time at the end of each episode which contributs nothing to the identity of Algernon or of Better Man. Only until the last episode is everything explained. But despite these aspects, the Anime still has well crafted themes and ideas. For example as mentioned, the idea of searching for the possibility of immortality. Also, Darwin’s theory of survival of the fittest is strongly emphasized (as if it isn’t in many other anime). So while there are confusing points in the plot and times when it goes off tangent, the ending did answer many questions previously introduced. However, there is also a lack of character development.

It isn’t rare to see Anime with character flaws and “Betterman” is no exception. First of all, I have no idea what on earth Keita has to do with all of this Algernon and Better Man thing. The reason for why he is in this mess doesn’t add up. For example, why does he even care to go into the robot and risk his life? Just because he can pilot the robot he would? What about his parents? His personal life? What does he feel that the audience can’t just see through his physical reactions? None of these things are present. I think this anime is allowing me to appreciate Evangelion more for some odd reason. And the fact that we do not know anything about Keita, his character becomes out of place and becomes too important when he is, how should I put this, worthless. The same goes for Hinoki. Who is she? What is her past? The only thing that is known is that her parents vanished 4 years ago during an operation called the Dive Inspection and she is looking for them through working with Akamatsu Industries. In fact, the whole cast is literally filled with stale characters as boring to watch as a piece of bread mold. Betterman fails horribly in developing any of the characters since none of the thoughts and feelings of the characters connect with the audience (at least not me). However, I do enjoy some of the misadventures Keita has like the episode when he is attacked by worms. Aside from the characters, the animation and music are conflicting.

When it comes down to art and music, one would expect them to be one sided: either excels or fail in that area. A good example is like Final Fantasy: Unlimited where the animation is horrible in a general sense. Why did I bring that particular Anime up? The reason is because I did not think there would be a worse design than some of the things you see in FF:U. Betterman however beats it by a mile. The idea of worms attacking people then forming into a giant worm as it unites with each other is such a stupid idea I don’t even know how or why it’s applied. I can understand that B.P.L. is a place where one would see earthly creatures like that. But I mean…come on. The artist and mastermind responsible for unique character design couldn’t do any better than a monster that looks like a piece of ramen noodle with a mouth? In addition Kankel, the ultimate immortal creature, has less fashion than a decorated snowman. And I don;t even want to go into the mecha designs. The conflicting reason is because there is nothing wrong with the actual cast of Akamatsu Industries characters or Better Man and it’s transformations art wise. In fact, I think the transformations of Better Man are pretty well designed. So while there are these distinguishing, crappy designs, there are also well crafted ones. It goes the same with the sound track of Betterman. The opening theme is unbearable. It sounds so off tune and the way it’s made looks so cheap with the ocean and characters fading in and out. On the other hand, there are some pretty decent insert songs during episodes.

The Breakdown

All in all, Betterman is an entertaining show to watch. While the plot is confusing at times and seems to be going nowhere, the ending does a good job in explaining a lot of unanswered questions. And while some of the animation is pretty bad, there are some goods eye popping fights between Better Man and whatever else. Check it out for yourself.

Synopsis
There is an old legend that speaks of a hidden paradise on Earth - a paradise only wolves can find. And while thought to have been extinct for hundreds of years, wolves still walk the Earth…hidden among mankind. Now, a group of outcast wolves set out to find Paradise: Kiba, Hige, Toboe, and Tsume. Each wolf is driven by their own personality and desires, but together they are pursued by humans seeking to quench their own thirst for power. A difficult and long journey lies ahead, with Paradise waiting to be found.

Review
You can tell from my synopsis that Wolf’s Rain is very vague in its premise. It’s most definitely unique, and in that alone I commend it, as anime these days rarely try to break the boundaries of their genre, be it a giant robot or magical girl or tournament fighting anime. I also have a bias towards loving wolves, who I find to be fascinating creatures, and to see them done in anime like this is a treat unto itself. A further plus was the fact that a majority of the Cowboy Bebop staff worked on Wolf’s Rain, chief among them scriptwriters Keiko Nobumoto and Dai Sato and musical composer Yoko Kanno. Yoko Kanno alone is reason enough to watch any anime, the fact that animation studio BONES (RahXephon, Cowboy Bebop: The Movie) is behind the animation is just icing on the cake. I’ll also add that Wolf’s Rain (and previously Cowboy Bebop) character designer Toshihiro Kawamoto is a favorite among anime character designers for me; his penchant for adult-looking, realistically-proportioned people is a rarity, and I’m glad that he’s on board.

As you can clearly see, Wolf’s Rain has a lot going for it and a high pedigree that shows a lot of potential. And with this mix we have one of my favorite anime of all-time. It currently sits in my top 15, which is saying a lot considering the amount of anime I’ve seen. And every time I rewatch it I enjoy it more. The idea that wolves will lead the world to paradise is an interesting premise, the fact that they hide themselves among mankind by casting a spell on people is doubly intriguing (to explain: the wolf characters in the show have human forms…sort of. If you look at their footprints in the snow and their shadows on walls, they appear to be wolves. They are merely casting a spell when they want to make people perceive them as humans. This is because they are being hunted by humans because the humans fear that having the wolves bring paradise will end their current world, so killing all the wolves will stop this and save their world).

It should be noted that Wolf’s Rain is more drama and plot than action. When action does appear, it kicks copious amounts of ass, because the wolves are given superhuman abilities of jumping and speed. When they use these abilities in their human form, it looks awesome. The animation certainly helps matters: it’s crisp, fluid, and detailed, just what is expected from BONES. Yoko Kanno’s music is far removed from anything she’s done before, she defines it as “brazilian with flamenco sensibilities” and you can tell with the peppered bits of spanish instruments strewn about the various musical tracks. I personally loved the music so much I went out and bought the soundtrack, and I think this is one of her best works ever, only being surpassed by Cowboy Bebop and maybe Escaflowne: The Movie.

The story itself is a road trip show in a sense, as the four main wolves are constantly on the move from one place to the next while the search for paradise. The secondary characters (which receive excellent backgrounds in their own right) are also constantly moving, either one step ahead or behind the wolves. Since the story is heavy on religion and mysticism and tribal/pack aspects, the plot tends to be vague for the most part. You either have to buy into what they are telling you or not. You can’t make sense of it because it isn’t meant to, and this will probably be the biggest hurdle for you to get over. There is no rational explanation why wolves are the ones that lead the world to paradise, they just are. There’s no reason why wolves have the abilities they do, like casting a spell on all humans or having the abilities they do….they just do. If one can get past these things, you will be enveloped into one of the most engrossing anime I’ve ever seen.

The Breakdown
Wolf’s Rain is easily one of the best things I’ve seen, anime or not. It’s mature, takes itself moderately seriously, enjoys what its telling us, and has a couple of important things to say about the state of man in accordance with nature. It’s one hell of a ride with an extremely bittersweet ending, and the production values are off the charts. If people can attain a certain suspension of disbelief, then there is no reason, I think, that you wouldn’t enjoy this anime. Give at least the first volume a shot to see if its your thing (it has five episodes on it, which is just enough to judge whether this is for you or not).

Synopsis
Legends tell of an underground kingdom hidden deep within the mountains where a utopian society exists without disease, hatred, and suffering. To be a citizen there promises eternal peace. Shambala. Those who rule Shambala posses the power to rule the world. Is what is said true or are they merely myths?

Review
There is such a place. It’s called heaven. But I digress. In Japanese, Full Metal Alchemist - The Conqueror of Shambala translates to Hagane no Renkinjutsushi - Shanbara wo Yuku Mono. First, some background historical information to put the movie in perspective. In September 1918, General Ludendorff of Germany urged the government to call for immediate peace negotiations thereby leading to the end of World War I. During the war, the government controlled the spread of ideas through propaganda and censorship. To the populace, the surrender was a stab in the back by the newly found Weimar Republic who agreed to the unfair and harsh reparations of the Versailles Treaty. People thought that their army had not yet been defeated (only General Ludendorff and his closest military associates knew that the German cause was hopeless).Anti-Semitic sentiment was growing, as the Jews who occupied distinguished positions in business, law, medicine, and journalism were enviable. Gypsies, the mentally and physically disabled, Jehovah’s Witnesses, as well as homosexuals were labeled as undesirables. There were those who took satisfaction in thinking of themselves as of pure Arian blood. Secret societies were on the rise. In 1920, a group of discontented army officers staged a Putsch, or armed revolt in an attempt to seat Dr. Kapp as head of state. The Berlin workers, by turning off all public utilities, stopped the revolt. That same year the National Socialist German Workers’ party, Nazis, was born to keep alive the patriotic and military spirit. In 1923, they staged a ‘beer hall Putsch’ in Munich. Hitler fired a revolver at the ceiling and shouted, ‘National revolution has broken out!’ However, the police suppressed the disturbance, and Hitler was sentenced to five years in prison (A History of the Modern World, 1984). This event takes place in the movie. The movie also does an excellent job in showing the attitudes of hate along with the ethnocentrism of the German race, those with blue eyes and blond hair.

Secondly, at the beginning of the movie there is a physicist who claims to have discovered uranium. The year is 1914. In actuality, Martin Klaproth discovered a uranium oxide from pitchblende mineral samples in the Joachimsal silver mines in Bohemia (present day Czech Republic) in 1789. He named it uranium after the planet Uranus. That physicist in Full Metal Alchemist I would like to say is probably Klaproth in Ed and Al’s world since it was noted that he relied upon mine workers. Then again, the problem is that uranium’s potential as an energy source through nuclear fission, hence a nuclear weapon, wasn’t discovered until 1938 by Otto Hahn and Fritz Strassman. The physicist Ed and Al encountered knew full well of its capabilities. Somehow the uranium bomb got warped into our world before 1923 (the photograph in the movie).

Lastly, Ed meets an Austrian film director by the name of Fritz Lang who he mistakes as the Homunculus Pride (Fuher King Bradrey) in his world. In the movie his monocle is on the left eye while in real life it’s on the right (http://upload.wikimedia.org/wikipedia/en/thumb/d/d0/FritzLang.jpg/180px-FritzLang.jpg). Lang’s mother was Jewish. He studied civil engineering at the Technical University of Vienna, but unsatisfied he switched to art in 1908. In 1910 he traveled to Africa and Asia. After World War I he joined Germany’s Ufa studio. His most famous silent work was Dr. Mabuse, der Spieler (or Dr. Mabuse, the Gambler) in 1922, the story describing the conflict between the master criminal Mabuse and detective Von Wenk. Lang left Germany in 1934 and had his sights on America. His wife Thea von Harbou was sympathetic with the Nazis and stayed behind. She herself joined the Nazi Party 1932 and divorced Lang in 1933.

The official Japanese website can be found at http://www.sonymusic.co.jp/Animation/hagaren/hagaren-movie/index.html where you’ll find trailers, character profiles, a summary of the storyline, key terms, the cast list, two wallpapers, an interview, and plenty of screenshots scattered about.

The Breakdown
Who is really the conquer of Shambala? Is it Dietlinde Eckart, Ed, or no one at all? Watch the movie to find out.

Synopsis
Mars is now almost entirely covered in water. Humanity exists in large city-ships that float through the open seas. But life is hard for those who live on Mars – the economy is in bad shape, work is scarce, and food is expensive and highly prized. Gram and his friends try to do the best they can, but the work keeps drying up. Some have taken to a life of piracy to combat the corruption in the government; one such group is the pirates of the feared Ship of Aurora. And the Earth government, which rules Mars, has dispatched a new team of military pilots to combat them. In their specialized mecha called Round Bucklers, they must make the seas of Mars safe for humanity. Caught in the wrong place at the wrong time, Gram finds himself on the run with the most notorious pirates on Mars. But here’s on thing – he’s starting to like them!

Review
Here is one of those rare anime shows where the main character, Gram, takes the presumably “evil” side of things. Of course it did not start that way until he got fired yet again from his job. Having nothing to do, he is approached with a job. The job? Stealing rations and things from the Mars government and selling it back to the “poor.” Gram, knowing who he was dealing with, declines the offer, but his friend, Bon, on the other hand accepts the job behind Gram’s back and here is where all the trouble begins to brew.

The Ship of Aurora, also known as the pirate ship decides to attack one of the ports so that they can go do whatever a pirate does. Coincidently, they attacked the same port as the dude who offered Gram the job. When Gram discovers that Bon accepted the job, he rushes to the location only to see the police seizing what the thieves were doing. When everyone scrambles, Gram grabs Bon and makes a run for it. As they come to a dead end, suddenly the Ship of Aurora hits the port and water starts to flood in the area. Upon nearly drowning in the Mars Ocean, Gram’s necklace begins to illuminate and a Round Buckler (RB) comes to his rescue. This RB is later on named the “Vector of Hope.”

The Mars Daybreak sounds so corny, but when you watch it, it becomes a totally different story. Probably the only part that was a bit slow was the first five minutes of the first episode. After that, the show cruises through and every second becomes a joy to watch. The plot is very intriguing in that it makes you wonder about the possibilities. What if this or what if that? And you better do this or is this going to happen next? I just love it when an anime sparks my brain power. The characters are all unique in a way. It feels like they all have a long story to tell about their backgrounds; especially the pirates of the Ship of Aurora and that just makes the show even more interesting. Of course speaking of characters, I cannot forget to mention the mecha designs. What we have here are underwater robots, not your usual land and air Gundams :). The way Gram and Yagami’s Round Bucklers are detailed, I just felt the urge to go out and buy a model of it if it existed. Hey maybe I will go check later.

Anyways, the Mars Daybreak has truly impressed me so far. Laughing and enjoying every bit of the moment seems so natural for me. The mixture of comedy, with an engaging story, and likable characters makes this anime an amazing feat. You will be sure to fall in love, when you check this piece out.

The Breakdown
The Mars Daybreak is astonishing. I am in love with everything that it is delivering to me. Be sure to not miss it!

Synopsis
An old Mauser prophecy claims that a certain person known as the scrapped princess is to be killed at birth for on the dreaded day that she turns 16, a plague upon man was to be released…

…and so the story begins.

Years later after the birth of Pacifica, the new alleged scrapped princess, along with her brother Shannon and her sister Raquel, continue an endless journey avoiding people who possess a threat to their lives. Faithfully accompanying their little sister, they vow to protect Pacifica until the fateful day when she turns 16. What danger does Pacifica possess as being the Scrapped Princess according to the ancient prophecy? What is the fate of Pacifica as she begins to doubt her existence more and more?

Review
Honestly.. I wasn’t really interested when I heard the name ‘Scrapped Princess’. My first impression was somewhat like an ‘ oh great… another ecchi sounding anime’. However, I soon realized how wrong I was to assume this anime to be anything else but greatness…

Scrapped Princess offers you an innovative story with eye dazzling magic and intense fighting scenes with all of its originality attached. It attempts to join a fantasy world with a science fiction world together, ultimately giving the viewers a dose in what human imaginations can create.

In the first few episodes of Scrapped Princess, viewers receive a glimpse of who the Scrapped Princess is. Nothing is told other than the fact that Pacifica carries some sort of curse like a Pandora’s Box waiting to be opened . Despite the fact that nothing is revealed until much later, the story picks up consistently as more questions are brought up than answered with the appearance of the Peacemakers, BUGs, and Dragoons. Scrapped Princess carries its plot extremely well using the mystery of Pacifica as a primary driving force.

Furthermore, the animation and music is nothing short of greatness. The animation, from the tiniest mechanical robot such as BUGs to the grand size of a Peacemaker to all the characters of Scrapped Princess, were beautifully drawn, overlapping with a rich layer of colors. Similarly, the music was also well executed from the opening to the ending and in between.

In addition, many of the characters in Scrapped Princess show depth. We have the protagonist Pacifica who tries to be cheerful most of the time despite the fact that she is unwanted by the world as she carries the heavy burden of death at 16. There is Raquel and Shannon as they fight and stake their lives for the sister they love. The characters are charming and well characterrized but not overly exaggerated.The relationship Pacifica, Shannon, and Raquel share with each other is nothing short or artificial as they deal with the pains and struggles together in a bond that seems to be unbreakable.

As the anime comes near to its conclusion, we learn about the surprising truth behind Pacifica and what her role is as being the Scrapped Princess as the anime attempts to explain human destiny and ignorance/freewill of individuals.

Scrapped Princess proves to be on a scale of greatness as it tries to tackle on a simple yet complex question by incorporating itself with the themes of fantasy and adventure: is ignorance bliss?

The Breakdown
24 episodes of greatness that dares to rival Record of Lodoss War OVA.

Synopsis
Go!! Panda-Z! Defender of Peace and Justice! Robnimal World is under attack from the Warunimal Empire. Now, wearing the scarf left to him by his father, Pan-Taron takes flight in Panda-Z, the undefeatable robot built by his grandfather. So no matter how strong the enemy, the forces of good will always prevail!

Review
Panda-Z is an anime in that after finishing the volume it leaves your mouth wide open asking yourself, “What the ___ was that all about?” This compilation of kiddy type episodes speed by quickly. It is probably the fastest thirty minutes I have ever experienced. There are no voices in Panda-Z; only captions. While some might argue that having no voices is a negative. But I find it more enjoyable. Now I can imagine the robonimals’ voices through the captions. It leaves room for the viewer to take the show into their control… sort of.

The animation quality is very crisp. There are not many details, but it was not necessary. The robonimals were all pretty cute. I am not sure if I want to classify this show as a kids’ show, because of some of the materials that were displayed. But I believe that these five or so minutes episodes will only appeal to viewers who have a soft side; those who like characters like, Hello Kitty or Doraemon.

There really are not much to say about an anime that is short and silent, other than in the episodes that are in volume one, we get to see quite a few whacky things. I personally liked the “Table Manners” episode and the “A Quiet Duel” episode. They were both very amusing.

The Breakdown
Panda-Z is cute, but its appeal is limited to those who are either: collectors who want to collect the figure, or viewers who love Sanrio kind of things.

Synopsis
Dragon Drive is the story of a young man who gets addicted to a virtual reality videogame about battling dragons. One day there is a glitch in the game and our hero, Reiji, finds himself in a real world with real dragons! Since he is there, he might as well save the world, right?

Review
This series started off really well. The first set of episodes show how Reiji gets into the game Dragon Drive and how he eventually becomes very good at it. These episodes are fun, exciting and interesting because the game itself is interesting to learn about. But after 6 or so episodes when Reiji shows up in that alternate world the anime progresses into its true self, which is nothing more than the same cliche anime I’ve seen a million times before. Essentially the first episodes are just a really cool intro to a really bad anime.

Even cliche anime can be good though if the characters are great. While the good guys in Dragon Drive were likable enough, they were also a bunch of idiots who each repeated their mistakes over and over again throughout the whole series. The bad guys were even worse. The main villian is obsessed with the idea that life is a game that he has to win, so he keeps doing all these terrible things to get his best ending. Everytime the good guys get into a fight with the bad guys, the bad guys overwhelm the good guys and then let them go for some reason. Every… time…

Beyond that, several characters have horrible voices. One particular character who keeps shouting, ‘My sweet honey!’ to a girl he likes has the most annoying voice I have ever heard in an anime. Even the music was generic and uninspiring with the exception of perhaps the ending theme. Add to that animation sequences that get repeated over and over again, dragons that look like mechs and dragged out combat with little or no story progression and there you have it… Dragon Drive!!

The Breakdown
I suffered through 38 episodes of this crap so that you don’t have to.